Manuel_Segade

Manuel Segade has worked since 1998 in fragments of cultural history of aesthetic practices of the end of the 19th century, around the production of a somatic and sexualized subjectivity, which was the subject of his book Narciso Fin de Siglo, 2008. He has a wide curatorial practice, like the Spanish Pavillion in Venice Biennale in 2017. He has also been teaching curatorial practice in different postgraduate and MA programs, such as the Honours in Curatorship of Michaelis University of Cape Town, MACBA’s Independent Studies Program or the École du Magasin in Grenoble. He’s director of Centro de Arte Dos de Mayo in Móstoles (Madrid, Spain).